The books everyone sees on display in bookstores’ shelves more or less went through a traditional publishing process. It was a product pitched to a publishing house, edited by a professional editor, publicized, marketed, perhaps promoted tirelessly, both online and off. But a lot of authors know that the traditional publishing process is a lot of work, too. And for some, the end product might not feel like it was worth all the effort. There is, however, a different avenue to get books published: the self-publishing route.
Self-publishing is exactly that: you publish your own work instead of getting them through so many different channels. Many authors saw it as a golden opportunity, especially as authors like Amanda Hocking became successful through self-publishing. There is, however, a problem with that kind of platform, as Ben Galley points out in his article on The Guardian, “Is the self-publishing stigma fading?“:
The brutal truth is that when you can publish anything, people will do exactly that. The market was flooded with indie literature and, sadly, a large percentage of it was substandard. Bad editing, awful covers, and mediocre content were rife. Advice was scarce, the methods many and varied.
And this is true. But, as Galley points out in the same article, there are a lot of independently-published works that are also good and worth readers’ time and money. Self-published authors themselves acknowledge that it’s not easy to get your work noticed in places like Amazon, where a lot of other works are being sold. Self-published works are being consumed, however, regardless of whatever genre they’re in. More works means more books for readers to discover. Thinking about the sheer number of books that one can come across on the Internet is daunting, certainly, so it’s definitely helpful to look at lists (like this one by author Michael J. Sullivan, about his favorite self-published fantasy works).
For authors, meanwhile, who do want to explore self-publishing, some successful self-published authors have already shared their tips over the internet.
Author Hugh Howey, who wrote the post-apocalyptic novel Wool, says that he originally tried to go through the traditional publishing route. In an interview originally appearing on Wired.com, he shares:
…I kind of got peer-pressured into going that route and ended up with a small press and everything went well, but I guess what I saw was, the way that they were publishing it, all these tools were available to me, so I thought, “I can do this.”
Ultimately, he decided to self-publish:
Self-publishing, for me, was a way of getting published and the other way took years of querying, trying to land an agent, trying to get a publishing contract, a year from the publishing contract to actual publication, so it was never about making money or trying to get into bookstores; for me, it was all about writing stories and trying to distribute them.
It was helpful to Howey, certainly, and the exposure his book got only encouraged him to write more.
Another fantasy author, David Dalglish, had believed that self-publishing wasn’t good. He writes, in his guest post for Fictorians:
In college I’d taken plenty of Creative Writing classes, and my favorite teacher had a single day each semester devoted to discussing the pure business of publishing. I still remember what she said: self-publishing meant the end of your career as a writer. You’d never be taken seriously again, because self-publishing was the route of the desperate, and those unwilling to put in the time and effort to get published traditionally.
It did work for David Dalglish, who was, originally excited just to have five people he didn’t know pay for the book he published. As for advice or tips on self-publishing?
The terrible truth is, I’m not sure what worthwhile advice I have to give. Why?
Because if I tried self-publishing from scratch right now, I’d fall flat on my face. That’s how much the self-publishing world has changed. Let me explain. Self-publishers are like locusts (I’m serious, hear me out). For every one person that is respectful, and putting time into their craft, and willing to abide by the rules, there are five who won’t, and will simply swarm in, regardless of the damage it might cause. So one of the earliest ways I got sales was by chatting with people on the Fantasy forums on Amazon. But once people realized that could earn sales, those forums were bombarded with spam, sock puppets, people recommending their own books regardless of the topic. Once upon a time, a reader could make a post saying “I just finished this book by David Authorguy, and it was great!” and you’d nab ten to fifteen sales just like that. The same went for the 99 cent price point. It was an easy way to get noticed, and undercut competition. But now? Pricing 99 cents does nothing, absolutely nothing, to make you stand out.
Dalglish’s guest post was written back in 2012, and the self-publishing may have changed since then. Regardless, it’s still not an easy task getting your work noticed through different channels – self-published or otherwise. But Dalglish’s words on the subject of publishing and writing are worth taking into heart:
And I don’t mean crank out crap. Imagine that you have a fan base out there, one you’re steadily growing. Every book you write, make sure it’s something that audience will love and devour. With each new book, you’ll gather in the new, and satisfy the old.
I’m starting to ramble, so I’ll cut it off here. In short, if you want to self-publish, go in wide-eyed, your pride swallowed, and your ears open. Treat your readers, who are also your paying customers, with respect and courtesy. Don’t make excuses, but instead have the best editing you can have, the best cover, the best formatting, and the best presentation. Most of all, the best story.
What counts, in the end, is that authors work hard to write great books, and then work as hard to get them exposed to the public. It’s definitely not going to be simple or easy, and it might take a few tries to get things going, but there’s certainly reward to get from writing good works and publishing them through the right channels.
Another Indie Author has a list of his favorite scifi and fantasy novels, and after having written over 20 novels is still just barely breaking even. Self-publishing can be brutal even if you know what you’re doing.
I don’t mind losing money, but at some point it’s hard to continue the enthusiasm. I tell myself it’s OK, because I’m breaking even right now; and when I finish my series, boxsets, full audiobooks and everything, then I’ll be in the profit. But it might take years to get there. I could definitely be doing it faster.
Here are other helpful links that you might want to check out:
- David Dalglish’s Goodreads. He has responded to a lot of Ask-the-Author questions, and you might find useful things there – from tips to details about his books.
- Interview with author Daniel Arenson. Another self-published fantasy author, and one of the people whose works Michael J. Sullivan recommends. Arenson’s website also has free books you can get.